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PORTFOLIO

     We are one of the few animals whose main sense is their sight. By seeing, we understand. However, a stranger is just a stranger when time is fleeting and self-consciousness is ruling our thoughts and behavior. Photographs give us the time and privacy we need to understand the subject so that we can breach our individualism and recognize a strangers' humanity.  

     As I learned as a child, good academic educations and secure incomes do nothing to sway social ignorance, contempt and alienation. Upon leaving home at age 17, I took the world in as if gasping for air: relentlessly adventurous, nomadic and unafraid of death or harm. This was the period of my true education. I experienced hunger, homelessness and loyal camaraderie. Strangers were open books to a girl like meand humanity carved an unforgettable place in me. 

     In 2008 in Valparaíso, Chile I was afraid of bothering people with my camera so I photographed the doors and windows that connected and separated them. 

     The culture shock I experienced when moving back to San Diego made me hyper-aware of each persons' invisibility to those in contrasting situations. There I photographed people so that they might claim some dignity regardless of their circumstance. Two series are

dedicated to this: "People On The Street," made with

Projects in Progress...

Landscapes

2010 - Present

4x5" Portraits, Grayscale

San Diego, CA, 2010-11

People on the Street,

San Diego, CA, 2010

Valparaíso, Chile

2010

Doors and Windows

Valparaíso, Chile, 2010

35mm color film, and a series of closer up, grayscale portraits made with 4x5" sheet film. 

     The series "Landscapes" is about peace of mind and the appreciation of beauty. It is a study of colors, light and lines as they make up the world we live in.

 

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